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Stage Review: The Real Thing At The Yvonne Arnaud
by Tricia Marcotti The Real Thing was written by Tom Stoppard in 1982 but is easily as relevant today as it was when first performed. Now on at the Yvonne Arnaud…
Review: Don’t Dress For Dinner At The Yvonne Arnaud
by Tricia Marcotti This week the Yvonne Arnaud hosts the comedy Don’t Dress for Dinner by Marc Camoletti and adapted by Robin Hawdon. Not having heard of Mr Camoletti, I was surprised…
Review: Fracked! – Yvonne Arnaud Theatre
By Tricia Marcotti I was a little apprehensive on the evening of April 18. I had read snippets in the news about fracking, but did not know how that could…
Stage Dragon Review – A Judgement In Stone
by Tricia Marcotti It was another packed opening night at the Yvonne Arnaud where my companions and I saw an accomplished group of actors from the Classic Thriller Theatre Company performing…
Stage Dragon: Night Must Fall At The Yvonne Arnaud Theatre
by Tricia Marcotti I love a murder mystery. There’s something about the idea of beating the author at his or her own game. Can I work out who did it…
Stage Dragon: The Mousetrap At The Yvonne Arnaud
I saw Agatha Christie’s The Mousetrap in the West End more than 35 years ago, and last night at the Yvonne Arnaud Theatre found that it has not lost any…
Stage Dragon: This Happy Breed At The Yvonne Arnaud Theatre
Noel Coward’s play, This Happy Breed, spans the period between the First and Second World Wars. Written on the eve of the second, but not performed until 1942, Coward brilliance…
Stage Dragon: The Shakespeare Revue At The Yvonne Arnaud
With fantastic reviews from London, The Shakespeare Revue hits Guildford at the Yvonne Arnaud Theatre this week up to Saturday, October 8. I can quite honestly say I had no idea…
Stage Dragon Review: Zindabad At the Mill Studio
I have never been to the Mill Studio before, so I am glad that my first performance was the premiere run of the new play Zindabad by David Conville. Set at…
Stage Dragon Review: Travels With My Aunt: Yvonne Arnaud Theatre
We sit in the auditorium waiting for the performance to begin. The stage goes dark and when the lights come up, the audience is confronted by four identically dressed individuals…
See: Tumbling Bay Footbridge: National Trust Says It Is ‘Committed to Finding a Resolution’
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