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Wife Begins At Forty – Yvonne Arnaud
by The Stage Dragon ‘Actors should never work with animals or children.’ If this is the case, then the cast of Ray Cooney’s latest production of Wife Begins at Forty,…
Questions Raised Over the Future Funding of the Guildford Philharmonic
The chill wind of council expenditure cuts is likely to soon affect the future funding of the Guildford Philharmonic Orchestra (GPO), following a report that is due to be presented…
Will Elvis Fit?
“Elvis is in the building!” is an old joke. But there might be a question mark about the Elvis that is due to appear at the Mandolay Hotel tomorrow night…
Sammy Rat’s Spring Sessions Concert
[thethe-image-slider name=”Sammy Rat and the Resonators”] The Guildford Dragon’s David Rose joins his band members in Sammy Rat and the Resonators for a special concert at All Saints’ Church, Witley,…
‘Barefoot in the Park’ – Yvonne Arnaud
Maureen Lipman stars in, and directs, the Yvonne Arnaud’s own in-house production of this revival of a classic play about newly-weds, by American script supremo, Neil Simon. The age-old ménage…
Stage Dragon Interview: Oliver Cotton
Oliver Cotton is about to appear in ‘Barefoot in the Park’ at the Yvonne Arnaud. Here he talks about the play, his nerves, acting with the greats such as Olivier…
‘Bette and Joan’ – Yvonne Arnaud
By The Stage Dragon History and rumour tells us of the great filming rivalry between Bette Davies and Joan Crawford, perhaps partly fuelled by Bette Davies’ spurning of Joan Crawford’s…
‘On Golden Pond’ – Yvonne Arnaud
by The Stage Dragon On Golden Pond is most famous for its film adaptation, which won a trio of Oscars in 1982. But it did stand alone as a successful…
‘The Merry Widow’ Yvonne Arnaud
By the Stage Dragon This operetta is supposed to have been Hitler’s favourite. Having read this in the programme I scanned the auditorium. There was a distinct absence of any…
‘Romeo & Juliet’ – Yvonne Arnaud
by the Stage Dragon Robert Icke’s production remarkably manages to breathe fresh air into Shakespeare’s play, exposing some of the “model” romance’s home truths. The ensemble speaks the text with…
I'm living well for nothing at all! (See: No Trifling Matter: Magpie Trapped in Godalming Sainsbury’s)
Next stop, Debt Chasm! (See: We Should All Be Outraged About the Failure to Deal with Legacy Debt)
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